![]() ![]() I run the images through a batch encoder with Irfanview to get rid of black borders on the image, rename the files, and conform them to jpg.Ħ. and bring down the number of stills to my 60-65 golden number.ĥ. I go through the folder again (immediately)looking at the frames on large preview and try and remove frames that replicate a certain lighting style or framing. ![]() I’m then left with usually around 80-100 really interesting frames. I view all the frames as a slideshow and I remove any frame that there are doubles of (someone might be blinking in first frame and normal in second) or remove any that seem less interesting this time around.Ĥ. So the next step is to edit, usually there might be a week or 2 between the first grab and this edit stage. This usually leaves me with around 200-250 frames per film. Depending on mood I could spend a few hours just doing the grabbingģ. 'Father of Malay movies' dies of heart attack 30 May Popular director-actor P. ![]() I watch through the movies on VLC, usually between 3x and 4x speed while listening to podcasts, grabbing any frame that interests me. i try to keep a mix of styles.genres/directors and DP’s so I dont get bored while working.Ģ. Make a to do pile, its a combination of recommendations, stuff Ive been enjoying myself, stuff I want to rewatch…. Hi Arturo, Ive considered having a donate button, but I feel bad for asking for money, maybe I’ll post an amazon wishlist so people can contribute in that way sending me movies I want to feature on the site.ġ. ![]()
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![]() ![]() Once TransWorld Entertainment green-lit the film, Stephen stepped up to the plate and directed it. When he brought the idea to his brothers, Charles came up with a twist: What if the clown was actually an alien? And what if it wasn’t driving a car but levitating over the ground? The brothers converted this premise into a feature-length movie script. “I imagined myself driving up a lonely mountain road and somebody’s passing me on the left, and when I turn to see who it is, it’s a clown,” he recalled in 2011. One day, Stephen found himself entertaining a spooky hypothetical: In a thought exercise, the artist tried to come up with the single scariest image that he could devise. Some of their most iconic works include the “Large Marge” claymation from Pee-wee’s Big Adventure and the monster effects in Critters, a 1986 horror-comedy. Since then, a huge array of directors have enlisted the trio’s services. In 1982, they founded their own company, Chiodo Brothers Productions. Bronx natives and special effects artists Charles, Edward, and Stephen Chiodo arrived on the Hollywood scene back in the 1980s. This passion project was a family affair. IT WAS WRITTEN, PRODUCED, AND DIRECTED BY THREE BROTHERS. Plus, it showcases some of the deadliest desserts in film history. A dream project for its creators, the cult classic looks at science fiction tropes through a funhouse mirror. 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